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Roscolux, Supergel
R53 Pale Lavender
Use when a touch of color is needed. (Transmission = 64%).
R353 Lilly Lavender
Same intensity as 55 with more red content. (Transmission = 29%).
R54 Special Lavender
Same as 53, but warmer. Useful for beams of realistic moonlight. (Transmission = 50%).
R55 Lilac
Same as 53, but cooler. (Transmission = 37%).
R355 Pale Violet
A cool lavender which acts as a neutral in a three color area lighting system. Will work well as a wash for drops or set pieces. Tones the space. Effective as moonlight shadows. (Transmission = 20%).
R56 Dark Amethyst
Highly saturated, good for side and backlighting and non-realistic effect. (Transmission = 4%).
R356 Middle Lavender
A lavender halfway between 52 and 57 in hue and value. Useful for general illumination and side-lighting. (Transmission = 27%).
R57 Lavender
Excellent backlight. Gives good visibility without destroying night illusions. (Transmission = 24%).
R357 Royal Lavender
A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nightime scenes. Rich, vivid accents, good in backgrounds. (Transmission = 5%).
R58 Deep Lavender
Excellent back light. Enhances dimensionality. (Trans.= 10%). (Transmission = 10%).
R358 Rose Indigo
A warm, red purple that recalls the Jazz Age. Useful for creating saturated color effects in live performance situations-club and musical group lighting. (Transmission = 5%).
Roscolux, Supergel, Cinegel
R59 Indigo
The original Congo Blue. A purple-blue, highly saturated, for modeling effects and non-realistic atmospheres. (Transmission = 2%).
R359 Medium Violet
Midnight and moonlight illusions. Enforces mysterious mood. Useful for evening cyc wash. (Transmission = 9%).
R61 Mist Blue
Excellent for general area washes. Very light cool tint of blue. (Transmission = 66%).
R361 Hemsley Blue
A sharp cold blue that stays clean when dimmed. (Transmission = 18%).
R62 Booster Blue
Helps maintain white light when dimmer is at low intensity. (Transmission = 54%).
R63 Pale Blue
Good for creating an overcast look and feeling. (Transmission = 56%).
R363 Aquamarine
A pale blue-green color. Can be used for area lighting. A soft backlight color. (Transmission = 52%).
R64 Light Steel Blue
Useful for beams of realistic moonlight. (Transmission = 26%).
R65 Daylight Blue
Useful for achieving depressed moods and dull skies. (Transmission = 35%).
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