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ProductionTitanic
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Lighting DesignerJeff Greenberg
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VenueTouring
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Producing EntityBoebe Productions
Titanic the Musical - 2012 National Tour
Produced by Boebe Productions
Set Design: David Esler
Lighting Design: Jeff Greenberg
Director/Choreographer: Paula Hammons Sloan
Pic 1: Freeze at end of opening number uses R362 back light, R80 and E-Color 202 combination on cyc. Set breakups are E-color 174 with R77760 gobos.
Pic 2: Engine room scene DS with action on the bridge US. DS uses R318 back light with R26 down light, US uses E-color 202 high sides on the bridge, E-color 71 on cyc with E-color 174 and R77760 gobos for set texture.
Pic 3: About to hit the iceberg. Midnight scene uses E color 71 on cyc, E-color 161 with R78421 gobos from SL for highlight, R68 fill from SR, E-color 71 with R78421 gobo as diag front from SR, and E-color 202 high sides on the bridge. Set texture is E-color 174 with R77760 gobos. Special on actor far DS is R62. There is also a deep blue down light of E-color 120.
Pic 4: End of Act 1 after ship hits iceberg. We were going for a cold terrifying lonely feeling. This cue uses E-color 161 with R78421 gobos from SL, E-color 202 high sides US on the bridge and E-color 71 0n the cyc. Set texture is E-color 174 with R77760 gobos.
Pic 5: Getting in the lifeboat. The "lifeboat" was in the SL side of the orchestra pit. This uses a down light of E-color 120, E-color 161 with R78421 gobos from SL, R68 fill light from SR, E-color 71 on the cyc, E-color 71 with R78421 gobos as diag fronts from DSR, a hint of E-color 202 on the bridge and E-color 174 with R77760 gobos on the set.
Colors Used:
- R362
- R80
- R318
- R26