Chris

For this production of A Wrinkle in Time I chose a warm/cool facelight approach with R333 on one side and R362 complementing on the other. A small frontlight with R51 at low levels helps to eliminate any shadowing. The second photo is lit entirely from below with R355 in striplights to create a dark, uncertain, cave-like atmosphere. Finally, from high side angles I used R3204 in gobo fixtures to obtain the cold angular starkness of the evil planet Camazotz.