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Roscolux, Supergel
R121 Blue Diffusion
Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission = N/A).
R125 Blue Cyc Silk
Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops. (Transmission = N/A).
R84 Zephyr Blue
A true blue with excellent punch for bright skies. Lovely contrast to pale blues; adds coldness to shadows. (Transmission = 14%).
R82 Surprise Blue
Deep rich blue with slight amount of red. (Transmission = 6%).
R74 Night Blue
Fantasy moonlight. Crisp and beautiful. Popular as a backlight or sidelight in contrast to area light. (Transmission = 4%).
Roscolux, Cinegel
R3220 Double Blue CTB
Bright nighttime area light. Crisp moonlight. (Transmission = 10%).
R2007 Storaro Blue
Rich deep indigo blue. Slightly more red than 81. (Transmission = 10%).
Roscolux, Supergel, Cinegel
R83 Medium Blue
Good for non-realistic night skies. (Transmission = 4%).
R383 Sapphire Blue
A deep romantic blue on the red side. (Transmission = 4%).
R385 Royal Blue
Excellent for non-realistic backgrounds. A very saturated blue. Pronounced red content that will shift toward purple when dimmed. Low transmission but will offer a striking contrast when used as a background with lighter accents. (Transmission = 4%).
R381 Baldassari Blue
Saturated color created for Lighting Designer Mike Baldassari - It's Double #3220 Double Blue (Transmission = 6%).
R384 Midnight Blue
An intense red-blue. Deeper than 83 with a little more red. (Transmission = 2%).
R85 Deep Blue
Deeply saturated blue with a hint of red. (Transmission = 3%).
R382 Congo Blue
Deep blue more saturated than Roscolux 385. Good for dark night skies or for a backlight color. A great color for rock and roll concert lighting. (Transmission = 1%).
R3405 Roscosun 85 N.3
Combines the effect of the 85 and N.3 filters. Extra-wide 60 in. Optically clear. (Transmission = 33%).
R99 Chocolate
Warms light and reduces intensity. (Transmission = 35%).
R3406 Roscosun 85 N.6
Combines the effect of the 85 and N.6 filters. Extra-wide 60 in. Optically clear. (Transmission = 17%).
R397 Pale Grey
A half stop neutral density. (Transmission = 70%).
R97 Light Grey
Neutral greys to reduce intensity without affecting color temperature. (Transmission = 50%).
R398 Neutral Grey
A very neutral filter to balance brightness of lamps of different wattage without changing the color temperature. (Transmission = 40%).
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